Yuri Soloviev
The mention of the name of Yuri Soloviev arouses great excitement from those who were fortunate enough to see him on stage.
Yuri Vladimirovich Soloviev was born in Leningrad on August 10, 1940. He entered the Vaganova Choreographic School in his hometown in 1949.
His talent was recognised very early on at the school. His highly personal lyrical qualities and his amazing facility in steps of
elevation were nurtured and perfected for the last four years of study under the sole guidance of Boris Shavrov (who had danced with
Spessivtseva).
Soloviev made his debut at the Kirov in the pas de trois from
Swan Lake (with Alla Sizova and Natalia Makarova)
at a pregraduate performance. Following his performance of the Bluebird pas de deux from
The Sleeping Beauty at his graduation
in 1958, which caused a sensation and would remain of one his finest achievements, he was immediately
accepted into the Kirov Theatre.
Early on Soloviev was only cast in small classical roles in
Laurentia,
Raymonda (as troubadour),
and in the Peasant pas de deux in
Giselle. But soon he was making
considerable strides ahead and was entrusted with the lead in
Chopiniana and for the 1961 Western European
tour he danced Désiré in
Sleeping Beauty, Albrecht in
Giselle and Siegfried in
Swan Lake. He had
great success in all of them. Another of his most popular roles during that first tour was Danila in
The Stone Flower in
which he and Alla Sizova enjoyed a significant personal triumph at Covent Garden. The ballet was such a success that
the BBC recorded and televised Act 1 with them both and Alla Ossipenko. His long-term partnership with Sizova was arguably
the artistic high point of both their careers. They also created the leading roles in the premiere of Igor
Belsky's
Leningrad Symphony in April 1961. A role not seen by western audiences was Ferkhad in
The Legend of Love,
one of a gallery of contemporary roles.
Soloviev also became a great favourite with audiences in several divertissements, notably the pas de deux from
Le Corsaire, dancing most successfully with Alla Sizova but also with Kaleria Fedicheva and Natalia
Makarova. Other noteworthy performances include the pas de deux from
Flower Festival in Genzano with Alla
Sizova and
Grand Pas Classique by Gsovsky in which he partnered Gabriella Komleva.
He also danced regularly in many full-length roles with Irina Kolpakova, most notably in
The Sleeping Beauty
and
Romeo and Juliet.
Yuri Soloviev's mastery is genuinely unique. He had perhaps the most remarkable elevation of any dancer of his generation,
but more than the sheer height of these flights, they were combined with a softness, clarity, and ballon seemingly
defying gravity, which led to the nickname of 'Cosmonautic Yuri' among his colleagues in the Kirov Ballet. There
seemed to be no technical difficulty he was unable to master completely. Soloviev was a sensitive and gifted actor, a
master of understatement and taste. His dance facility attracted many choreographers in the Soviet Union and he
created many roles in contemporary Soviet ballets by Sergeyev, Jacobson, Belsky, Alexidze and the Moscow couple Kasatkina
and Vasiliov.
Fortunately his dancing is well preserved on film. There are many archive films of his work in Russia but to
most people he will be familiar in the film of
The Sleeping Beauty with Alla Sizova, which provides an excellent
record of his dance accomplishments, the delicacy of his manner, and a wonderful souvenir of a great
ballet partnership.
He was an intensely private and reserved individual. He died on 12 January 1977 at his dacha just
outside Leningrad. It appears to have been suicide. He was married to Tatiana Legat, a former soloist
of the Kirov Ballet.
In 1963 he was awarded the Nijinsky Prize by the Paris Academy of Dance. He was a Gold
Medal winner at the Paris International Dance Competition in 1965, and was made a People's Artist of
the USSR in 1973.
Geoff Whitlock
His repertoire includes:
- Pas de trois in Swan Lake
- Blue Bird in The Sleeping Beauty
- Actaeon in Diana & Acteon pas de deux
- Peasant pas de deux in Giselle
- Spirit of the Ocean in The Little Humpbacked Horse
- troubadour and pas de quatre in Raymonda
- Danila in The Stone Flower (Y. Grigorovich)
- The Soviet Youth (cr.) in Leningrad Symphony (I. Belsky)
- Désiré in The Sleeping Beauty
- The Poet in Chopiniana
- Siegfried in Swan Lake
- Jean de Brienne in Raymonda
- Frondoso in Laurencia
- Harlequin in Carnaval (M. Fokine)
- Ferkhad in The Legend of Love (Y. Grigorovich)
- Solor in La Bayadère
- Prince in Cinderella (K. Sergeyev)
- Romeo in Romeo & Juliet (L. Lavrovsky)
- Man in The Distant Planet (K. Sergeyev)
- Fisherman in Shore of Hope (I. Belsky)
- title role in Icarus (I. Belsky)
- Kino in Pearl (K. Boyarsky)
- Bright Falcon in Land of Wonders (L. Jakobson)
- Aegisthus in Oresteia (G. Alexidze)
- soloist in Le Spectre de la Rose
- God in Creation of the World (N. Kasatkina-V. Vasiliov)
- Page in The Infanta (L. Lebediev)
Divertissements:
- Le Corsaire pas de deux
- Flower Festival in Genzano pas de deux
- Grand Pas Classique
Copyright © 2002
Text of Yuri Soloviev Copyright © 2002 Geoff Whitlock. All rights reserved.